
The Samples continued to tour and released their own self-published album, Underwater People, composed of both studio-recorded and live tracks. The band soon joined the newly-formed independent label, W.A.R.? - What Are Records?. Their records, including 'Underwater People' (1991), 'No Room' (1992), 'The Last Drag' (1993) and 'Autopilot' (1994) blended pop sensibility with a mix of folk, reggae, jazz, and rock to create their own signature sound. Sean Kelly, as the main songwriter, wrote songs about nature and the environment giving the band an 'eco-friendly' reputation. Sheldon's thumping bass, MacNichol's Stewart Copeland-inspired beats and Laughlin's off-beat reggae chords supported Kelly's inspired songwriting and Sting-like vocals. They became a success throughout the early 1990s, selling over one million copies of their catalogue based on a genuine grass roots campaign. Their live shows helped them on the college circuit selling out venues in college towns across the country. The band headlined some of the H.O.R.D.E. tour shows in 1993 and 1996 and they shared the bill with big names such as The Allman Brothers Band, Blues Traveler, and Phish. On their own tours, many up and coming bands opened up for them including Dave Matthews Band, Hootie & the Blowfish, and Lisa Loeb.
1) Underwater People
2) My Town (Meltdown)
3) Braidwood
4) Giants
5) After the Rain
6) Moonlit Treese
7) Overthrow
8) Feel Us Shakin'