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Mahler's Fifth Symphony, a work of huge emotional and structural range, was his first purely orchestral work since the First Symphony of 1888, and his first orchestral work to dispense with both the human voice and overtly programmatic elements.
1) Trauermarsch: In Gemessenem Schritt
2) Sturmisch Bewegt - Mit Grosster Vehemenz
3) Scherzo: Kraftig Nicht Zu Schnell
4) Adagietto: Sehr Langsam
5) Rondo-Finale: Allegro - Allegro Giocoso - Frisch