"Menuhin's account of the Variations [represents] the interpretation of a musician who has lived long with this music and loves it. He and the engineers have taken immense care with the timbre of the upper strings in the statement of the theme and there are several passages the prominence given to the lower strings in the middle section of Dorabella, for examplewhere Menuhin directs the listener's attention to yet another facet of this inexhaustibly fascinating score. Nothing 'routine' here, nor in the RPO's playing." - Gramophone.
1) Enigma Variations for Orchestra Op. 36: Enigma Theme
2) Enigma Variations for Orchestra Op. 36: Andante (C.A.E.)
3) Enigma Variations for Orchestra Op. 36: Allegro (H.D.S-P.)
4) Enigma Variations for Orchestra Op. 36: Allegretto (R.B.T.)
5) Enigma Variations for Orchestra Op. 36: Allegro Di Molto (W.M.B.)
6) Enigma Variations for Orchestra Op. 36: Moderato (R.P.A.)
7) Enigma Variations for Orchestra Op. 36: Andantino (Ysobel)
8) Enigma Variations for Orchestra Op. 36: Presto (Troyte)
9) Enigma Variations for Orchestra Op. 36: Allegretto (W.N.)
10) Enigma Variations for Orchestra Op. 36: Adagio (Nimrod)
11) Enigma Variations for Orchestra Op. 36: Allegretto (Dorabella) Intermezzo
12) Enigma Variations for Orchestra Op. 36: Allegro Di Molto (G.R.S.)
13) Enigma Variations for Orchestra Op. 36: Andante (B.G.N.)
14) Enigma Variations for Orchestra Op. 36: Moderato (*) Romanza
15) Enigma Variations for Orchestra Op. 36: Allegro (E.D.U.) Finale
16) In the South ('Alassio') Concert Overture for Orchestra Op. 50
17) Pomp and Circumstance March No.4 for Orchestra in G Major Op. 39/4